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Archive for the ‘photography’ Category
Safa over homework
Thursday, February 18th, 2010First Cache
Monday, January 18th, 2010Thanks to Alan’s post on geocaching, I took the kids out today for a few hours driving around south Nashville looking for caches. The closest to our house is notoriously difficult because the GPS whacks out once you’re near (due to power lines and structures, I think). We failed there. But our second attempt atop Shy’s Hill — a famous Battle of Nashville Civil War site — was a success. The site is at the very top of a 200-300 foot hill surrounded by a housing development (instead of Federals):
Kids being kids, these three ran around more concerned about being the first to find it rather than actually looking carefully. After twenty minutes or so, I started looking and found it. It was a heavy duty official metal geocaching container hidden between parts of a downed tree.
In it we found several items, ranging from coins to electric switches to plastic trinkets. We took the plastic Aragorn figure and left three plastic army men and an origami peace crane that I got when I converted dollars for yen at Narita Airport. War/peace, get it?
Henry then read the official geocache explanation and rules sheet for us:
The rest of the afternoon followed the same pattern: find one, miss one, find one, miss one until we had found four and missed four. All eight adventures have been duly logged at geocaching.com. We intend to do more this weekend with Sara in tow. It so happens that there is an Event Cache at 2PM Sunday at a local park: it’s a gathering of the Middle Tennessee Geocaching Club. We will be there.
Aperture 2 vs. Lightroom 2 going on 3
Thursday, January 7th, 2010When Apple’s photo workflow software Aperture came out I snatched it up from 1.0 and have used it extensively ever since. But like many users, I’ve become impatient with Apple’s lack of any meaningful update to it since 2.0 (and even that wasn’t that big of a deal). During all that time — three years or so? — I never gave Adobe’s Lightroom a look — until now. There was some beef about LR1’s layout and flow, but apparently version 2 has dealt with most of that; I wouldn’t know since I never used it. Well, I downloaded the 30-day trial and did my first fiddling with LR2 today and I LIKE IT BETTER THAN APERTURE, for the most part. The big selling points for me include an easy-to-use tabbed layout and workflow (Library-Develop-Slideshow-Print-Web); the encouragement to place all photos in one folder (with subfolders) wherever and however I want (iPhoto and Aperture like to bury image files into inconvenient libraries that don’t allow easy access to originals); and especially the ability to apply non-destructive local effects on parts of an image with a pretty nifty automask tool. The last feature, once you get the hang of it, is FABULOUS. I have often wanted to change exposure or some other attribute of an image in only one area without having to fire up Photoshop and get all fancy with masks and whatnot to produce the effects I want. Aperture has better choice of web output (I like the various gallery, book, and journal options), but LR has a couple web galleries I like enough to use. In fact, here’s the product of my first efforts with LR2: Robots Squared. Sun was shining nicely on the “Atomic Robot Man” that Sara gave me for Christmas so I took some glamor shots of it. I used to the local effects brush in LR2 to fill in light on the faces in some cases and added a touch of vignetting after the square crops. You like? Adobe has released a public beta of LR3 which I downloaded but haven’t opened yet. I think I’ll use the trial and LR3 beta until 3 goes final and then buy it. Sorry, Mr. Jobs, but you and your crack team of programmers have slacked and are losing some of your best users, like me. The same can be said of the AppleTV I bought long ago, but I’ll save that story for another post….
Facadectomy
Thursday, January 7th, 2010Out of the blue a couple weeks ago I got a request to use a photo I took a few years ago of the McGraw-Hill Building in Chicago. This one:
The requester was gathering images for a blog in association with the construction of The Ritz-Carlton Residences, Chicago and needed an example of a successful (i.e., aesthetically acceptable) execution of what has become known as a “facadectomy” — i.e., the preservation of the facade of a historic building by dismantling it, building the new structure, and then reconstructing the old facade over it. As you can imagine, this practice is controversial among hardcore historical preservationists because the integrity of the entire building is not respected and sometimes the results of mashing the old facade on a new core turns out horribly (like some facelifts). 10 S. LaSalle (formerly the Otis Building) is one example of a bad facadectomy where a 37-floor cobalt blue skyscraper was crammed into and over the four floors of the original building’s facade. I took my photo of the McGraw-Hill Building as part of my Art Deco Chicago photo shoot, not knowing it was only a facade. Which I guess means that it was a good example of a facadectomy done right. The Ritz-Carlton Residences developers are supposedly taking their cue from the McGraw-Hill example. The writer of the article, Wayne Lorentz, concludes his interesting piece as follows:
While there will always be die-hard naysayers who complain that such procedures violate the historical integrity of a property, others point out that sometimes it’s unavoidable. Sometimes old buildings have to die so that others may be born in their place.
Someday, the Empire State Building and the Willis Tower will meet their ends, too. And while it’s sad to think that such icons will one day see the same fate, it cannot be denied that since the beginning of time, destruction has been the necessary predecessor of creation. Time changes all things and between a photograph or a facade, the transplant may very well be the better architectural heritage to leave for the next generation.
Well, maybe, but I don’t accept the sense of inevitability implied here. In general, I don’t know where I stand on this form of “preservation.” As an academic (quasi-)historian, I should side with the hardcore preservationists, but I don’t like such knee-jerk extreme positions (unless I adopt them). I suppose if the alternative is to let an old building crumble or simply to tear it down, a properly done facadectomy is a compromise we have to live with. Makes me think of the Robyn Hitchcock song “My Favourite Buildings” which goes:
My favourite buildings are all falling down
Seems like I dwell in a different town
But why should I bother with
painting them brown
When they’ll all be pulled down in the end
My favourite buildings
stretch upwards for miles
Remind me somehow of your favourite smiles
Like oak leaves in autumn cascading on stiles
In the rain
Nobody seems to know how long
All of these buildings belong
Till they become part of you
People get down on your knees
Buildings are like a disease
You could wind up in a zoo
And most people do
(cha)
My favourite buildings are all laid to waste
One might as well sculpt a
statue from toothpaste
And someday I could have a fifty-inch waist
It’s all free
For my favourite buildings
And me
But then again I think of all those wonderful — albeit creaky, drafty, inefficient, hard-to-maintain — buildings in Europe that have lasted far longer than the Empire State Building and I wonder if American city planners and developers have their priorities straight. Well, yes, they have their priorities straight (make money and lots of it), but not those of the greater cultural community. (Now, if someone bought me one of the planned penthouses in the The Ritz-Carlton Residences, Chicago I would probably be happy to live in it….). See my now-famous photo in the article here.
Okinawa Day Five
Monday, November 16th, 2009I’m a day behind my daily posts because my internet cut out last night at 9PM (third time in five days!). I’ll do my best to recall the day and get on to Day Six if I have time tonight — my last night in Okinawa.
Weather was nice — mid-70s and partly cloudy — so I went to one of my favorite places for relaxation, The Southeast Botanical Gardens. I write quite a bit about it in the book manuscript because it was the first real successful execution of a tropically-themed environment. The founder, Taiwanese-born Obayashi Masamune, was an accomplished botanist and knew tropical plants well. He opened the park up in 1970 and I think it’s well done, despite the kitsch here and there.
One bit of tropical kitsch involves a ladder attached to a coconut palm tree that has an “Okinawa” sign on it. You are encouraged to climb up and pretend those are real coconuts (they’re plastic, and one had a big hole in it). Dad here knows it’s plastic, but the daughter will now grow up thinking she saw real coconuts.
I was bummed that one half of the gardens was closed; there’s a palm tree over there imported from Taiwan which has machine gun bullet holes in it. I wanted another photo of it.
After the Gardens, I zipped over to nearby “Anpo no mieru oka” (the hill from which the Japan-US Security Treaty can be seen), a spot along the perimeter of Kadena Air Base from which one can view the runway.
Ever since Kadena Town built a 5-story visitors building across the road after US authorities threatened to raise to wall after 9/11, hardly anyone — even the airplane freaks who hang out with high-powered lens and radios to intercept air traffic communications — come to Anpo no oka any more. The new building has an observation deck and, better yet, four cameras on the roof that feed video monitors inside the town museum where you can zoom in on four different spots on base. Very cool.
This is all going into the “bases as tourist sites” chapter of the book. After that I went over to Yomitan Village where I lived for 6 months here, only a short walk to the East China Sea:
By the time I had done a quick around the park and beach there, I got hungry and picked up lunch at the nearest Family Mart (curry bun and miso rice ball) and headed from the pottery village within Yomitan. I didn’t find any pieces that grabbed me, but it’s always nice to walk around the studios and the famous big old noborigama (hillside kiln), so I turned the trip into a photo shoot:
And then it was back to my room, picking up a whole garlic chicken at Jimmy’s in Ginowan for dinner and lunch the next day. Between that and the kimchee I had my room stunk.
Okinawa Day Four
Saturday, November 14th, 2009So what do you do when you’re all alone on a Saturday night in Naha? Find a raibu (live) izakaya (pub) where you can eat small plates of local delicacies while listening to live music:
I figured I’d end up going to Wa-no-Ichi one night. After two nights of economizing with takeout sushi from the supermarket, I decided to treat myself to local pub food. I’d been to Wa-no-Ichi before and liked the atmosphere (built out of a quonset hut) and food (“Okinawan” food with a twist and decently priced, although they make up for that with a “table charge” — ¥300 — and a live charge — ¥500). I had jiimaami dofu (a soft peanut flavored tofu), umi budou (sea grapes), mozuku tempura (because John Purves, whom I visited today, said I had to), gurukun (a popular local fish) age (deep fried), and goya beer:
It was all good.
Before that I spent a couple hours visiting with John Purves and his wife Rachel Stevenson at the Kin Town Community Center.
The town was holding a “Culture Festival” and John and Rachel had works on display: Rachel had a website on her activities in and take on Kin, while John had a jointly authored translation/interpretation of an 18th-century text by Sai On about “the secrets of forestry” that’s going to be published in The Ryukyuanist next month. Do check out Rachel’s lovely website and download John’s article once its posted on The Ryukyuanist website.
Continuing backwards with my day, I lunched in Mihama (more precisely, in “American Village” i.e. American Strip Mall). I wanted to take some photos of this America-themed destination for tourists as much as for the Americans at the nearby bases. It’s changed a bit from 10 — even 5 — years ago. For one, my favorite cafe is gone, taken over by a Freshness Burger franchise. Big bummer, because I wanted my usual grilled chicken panini and latte there. I settled for souki (pork rib) soba instead.
It’s only getting bigger too, with a “phase two” opening soon:
For the most part the area is harmless and rather silly, although there are bars where trouble has occurred before, such as the rape of a Japanese woman by an airman from Kadena AB in the parking lot several years ago when I lived here. Rachel mentioned that at least in Kin — site of Camp Hansen, the base of the three Marines who raped the schoolgirl in 1995 — there is a midnight curfew in effect for all American military personnel.
Speaking of American military personnel, today’s plan was to do base-related things besides American Village. I was going to go to the spot along Kadena AB’s perimeter where you can see over the fence onto the tarmac and watch jets take off and land, but I was running short of time. That will be on the agenda for tomorrow. Time was short because before getting to Mihama I wanted to go to Kakazu Park, another base-watching spot, this time offering a view (but a bit distant) of Futenma, the Marine Air Station that you should know about if you’ve been paying any attention to the news of President Obama’s visit to Japan yesterday. The “base realignment” mentioned centers on transferring Futenma’s functions elsewhere — where elsewhere is the sticking point. The U.S. wants to move it to a heliport up north in Henako, the locals there don’t want it. Secretary Gates (whom I’m NOT liking) basically threatened Japan (Okinawa) with a no deal to move 8,000 Marines to Guam unless the Henako facility is agreed to. It’s pretty much a mess and I imagine nothing substantive will happen for a long time. In any case, back to Kakazu. The observation platform dedicated there in January 1964 is one of my favorite pre-Reversion sightseeing spots in Okinawa. It’s this (now worn down) globe with slices taken out (for viewing on the separate floors) and a spiral staircase going up the center.
Note the chasm between Okinawa and mainland Japan, suggesting a true separation between the two — that surely must have been intended, but by whom? Was the design under American direction? I don’t know nor do I think I can find out. There’s graffiti inside the walls and it’s clear that kids hang out here — there were three (junior?) high school guys just sitting around talking when I got there.
The view of Futenma is better had at several other spots in Ginowan, including the upper floor of Okinawa International University, which abuts the base, but from Kakazu you can appreciate the vastness of the base with respect to the city of Ginowan, which is donut shaped because of the base at its center.
Finally, backing up to the morning, I spent part of that at the Ujizome Kumiai (trade union) Center gallery on tiny Senaga Island in Tomigusuku to score some sugar-cane-leaf-dyed items, especially a tapestry for my new study. And that I did, plus a few small items for the family. Ujizome is a special dying process done with sugar cane leaves and it renders beautiful bright (and dark) greens, as in these tapestries (not my photo; this is from another gallery website):
I did NOT get a goya motif, which might surprise you. I actually went looking for the sugar cane motif pictured near the center here. They didn’t have it, but instead, another caught my eye because of the modern angles done in shades of green. It has a flower motif at the center, a gettô, which I need to research because Rachel immediately recognized the name from a local song that she says is always sung at memorials. The clerk at the Kumiai had some cut and dried geto she showed me when I asked about the flower motif. I photo of it now won’t do it justice. You’ll see it hanging on my study wall once I get back….
UPDATE: Info on gettô, or Alpinia zerumbet. It’s in the shell ginger family and its leaves are used to wrap rice balls in (the store clerk actually told me that part). That probably means they are used to wrap food offering at tombs on memorial days.
My lunch today in Okinawa
Friday, November 13th, 2009I had a hard time deciding on what kind of burger, so I just went with what the cashier guy recommended–a super something or other. It was a good choice with the onion rings.
Okinawa Day Three
Friday, November 13th, 2009After two full and exhausting days, day three was at a slower, part by plan, part by weather. I had made a reservation to see the inside of Haebaru Field Hospital Cave No. 20, which was cleaned up, reinforced, and opened to the public in June 2007. It was designated the first war-related Important Cultural Property in Japan in 1990, even before the Japanese government made that possible on 1995. I had seen the entrance of the cave (tunnel, really) years ago when it was locked ruins in the side of a hill. Now there’s a reception building (and a ¥300 charge), helmets, flashlights, and volunteer guides (about 50 total).
I was late joining the group because I didn’t know where we were supposed to meet. I apologized and the others were cool about it. One guy took photos of me with my little camera without me asking. This was inside the cave, with our guide Mr. Chinen giving explanations on the right.
Once out the other side, Mr. Chinen continued about the plight of the wounded and the nurses (many from the Himeyuri Corps, but not exclusively). He talked a lot and very quickly — hard to keep up with him.
It was very much worth the trip — both the opportunity to see part of the tunnel complex and to see the just-opened new Haebaru Bunka Sentaa (Culture Center).
It’s much bigger and brighter than the old building and was funded primarily by the town. All of the exhibits were put together by the employees at the Center — no pros were hired. Taira Tsugiko, whom I met nine years ago — is one of the curators and she gave me a nice personal tour of the “Okinawan Daily Life” section of the exhibit. The main part of the Center is, of course, about Haebaru in war and postwar times, but Taira-san said that their idea is to show not just the war and not just the good things about the town, as this serves as their city museum. There is a real commitment on the part of the town and the people who work and volunteer at the Center. The Director said they basically run at a lost but even so, it’s important to continue their mission. I agree. I liked their attitude. It’s a good place.
Groundskeeper
Friday, November 13th, 2009
The head of the man with three legs
Friday, November 13th, 2009









































