Archive for April, 2010

What I’m doing besides not blogging

Tuesday, April 13th, 2010

Lack of blog posts from Goyablog is a sure sign that Goyaboy has found something better to do in the evenings. Lately — as in the past couple months — I’ve been building pinhole cameras and developing paper negatives and, most recently, black and white film. It’s fun. Especially when I develop them in instant coffee crystals (aka Caffenol). A bunch of my latest efforts are posted on my Flickr stream. My latest favorite coffee shop in town liked the idea I floated to them about a display of grungy Nashville bw shots developed in coffee, so I might get a little show there sometime. There’s usually a queue for artwork display in these places so maybe I’ll have time to save up for an Epson Stylus Pro 3880 printer so I can produce mountable high-quality prints on my own. Part of the concept I pitched them was that the images I produce would all be shot with homemade pinhole cameras, kit cameras, or my Dad’s old Brownie Hawkeye and developed by me in Caffenol. So, in keeping with the DIY lo-fi aesthetic/ethic, I figure I should print, matte, and mount my own work too rather than spend $$$ on a really nice professional job done at Chromatics. I’d rather spend $$$ on a printer and ink and papers and matte board and backing and acrylic and while away untold hours learning (and screwing up) a homemade handmade job. I just want to take back the means of production, that’s all. On that note, here’s my latest production. These were taken this afternoon as 5×7 paper negatives by “Schrödinger’s Cat,” which I promptly developed in Dektol (no Caffenol today), scanned and inverted to positives in Photoshop and then cropped to a 3.5×7 panorama format (simply to cut out the extraneous driveways and cars and houses in the upper background). I tweaked the tone (contrast) a bit in PS, but nothing else.

Schrödinger’s Cat grew legs

Tuesday, April 13th, 2010
I added a tripod mount to the Cat for my Gorilla tripod. It will now be far more flexible in the field.

Posted via email from goyaboy’s digital dump

Carpenter bee, hovering

Saturday, April 10th, 2010
Taken with iPhone and Hiptamatic App.

Posted via email from goyaboy’s digital dump

My Latest Pinhole: Schrödinger’s Cat

Monday, April 5th, 2010
My latest pinhole, this one an unopenable black box designed for 5×7 paper negatives, is dubbed “Schrödinger’s Cat.” Ready for testing although in need of minor cosmetic details. The big question — as always: is it light tight? Having three side slots into which a homemade film holder slides for three different focal lengths opened up potential source of light leak problems, but hopefully nothing that black foam, electrical tape, and velcro couldn’t fix.
I will test it later with current film holder, but I want to rebuild the film holder out of polycarbonnate rather than cardboard matting and thin basswood because the later is warping just enough to cause problems.

iPad as Gated Community

Monday, April 5th, 2010

I’m glad to see that the mainstream-ish media is on to the questionable limits of the iPad. This morning NPR ran a piece called “Apple’s iPad: The End of the Internet as We Know It?” (answer: yes). Analyst Paul Sweeting had an apt metaphor when describing the locked-down nature of the iPad:

“Apple is offering you a gated community where there’s a guard at the gate, and there’s probably maid service, too.”

The thrust of his analysis is that the iPad paradigm, while perhaps keeping out the bad guys — like viruses, damaging software/content — it does so at the cost of restricting the user (hard to say “owner”) at the same time. You can’t put anything you might want to put on the iPad. You can’t (unless you are an uber-hacker) run whatever you want on it. As I mentioned on World iPad Day, you can’t even change the batteries without breaking the license agreement. Sweeting predicts that major media companies will likely be drooling over the prospect of controlling content to push to the consumer on corporate, not consumer, terms. Apple has provided the perfect platform for that. The internet as you know it now is not the internet on the iPad. Buy an iPad if you’re paranoid about the bad guys, but you that you’ve just ran behind the walls of a gated community.

UPDATE from Saturday: I wasn’t the only one to recall the Apple 1984 commercial when thinking about the iPad. Already up on YouTube:

YouTube Preview Image

Sara in the Bubbles of My Stout

Sunday, April 4th, 2010

“Convergence”

Saturday, April 3rd, 2010

Convergence

Came across this fantastic long exposure (digital) BW photo by Ian Parry on Flickr and just had to blog it. Wish it were one I’d taken.

iPad = infantilizing, not inspiring

Saturday, April 3rd, 2010

Cory Doctorow at Boing Boing has a must-read piece “Why I won’t buy an iPad (and think you shouldn’t either)” which pretty much steals the thunder I was going to unleash today, World iPad Day. The gist of it is spot-on and what I and my friend Alan noted just after its announcement: it is the uber-Consumer device, in a bad way. Look at the first promo vids for it, such as those Stevie Boy used in his Keynote: people lounging around looking at photos, watching movies, downloading music, playing games, buying e-crap. User-passivity and hyper-consumption is at the heart of its design. The only things in that Keynote that piqued my interest was the ability to use iWork — I could actually do my writing with it — and its use as an e-reader for the PDFs I have of research material and course readings and whatever news items I clip and save. It is designed to breed “Consumers” as defined by cyberpunk author William Gibson (I quote from Cory):

The model of interaction with the iPad is to be a “consumer,” what William Gibson memorably described as “something the size of a baby hippo, the color of a week-old boiled potato, that lives by itself, in the dark, in a double-wide on the outskirts of Topeka. It’s covered with eyes and it sweats constantly. The sweat runs into those eyes and makes them sting. It has no mouth… no genitals, and can only express its mute extremes of murderous rage and infantile desire by changing the channels on a universal remote.”

That’s the literary way to describe what the iPad will do to you. Cory gets a little more technical and historical. He begins with the “infantilizing hardware”: it’s glued, not screwed, which means you’re screwed. You cannot open it up; you cannot mess with it; it is locked down (both in hardware and software) in a way that strictly does not invite innovation by the user. YOU CANNOT EVEN CHANGE THE BATTERIES ON YOUR OWN! Why is this a Bad Thing? Well, Apple began with a revolutionary credo that encouraged you to get into the guts of the machine, to empower the user, to hand her the means of production and to run with it. Remember the famous Apple 1984 ad? All those mindless screen-staring clones in the audience of that ad listening to a speech about “information purification” (= DRM) and “a garden of pure ideology” (it’s “revolutionary” and “magical”) might as well have been beta-testers for the iPad rather than the corporate IBM flock it was lampooning.  Apple was all about desktop publishing and image production on your own, without the need for the professional typesetter and graphic designer — the first Apple II even came with a schematic diagram of the circuit board! A generation of creative tinkerers and hackers (the good kind) spawned innovations in software and hardware. Now all you need to know how to do is to access the iStore and type in a credit card number to buy an iApp. To quote Cory:

The way you improve your iPad isn’t to figure out how it works and making it better. The way you improve the iPad is to buy iApps. Buying an iPad for your kids isn’t a means of jump-starting the realization that the world is yours to take apart and reassemble; it’s a way of telling your offspring that even changing the batteries is something you have to leave to the professionals.

And after buying, you can’t even change, swap, or share what you thought you bought to own. You don’t really own it. Cory uses the Marvel Comic app as an example of this devolution of content in the name of progress. In the old-school comic book culture, swapping and sharing was everything. It built (real live) social networks and (real live) friends. Comic books would not have spread without this sharing culture. The iPad, however, allows Marvel — even encourages if not requires Marvel — to put the smack down on sharing e-comics:

So what does Marvel do to “enhance” its comics? They take away the right to give, sell or loan your comics. What an improvement. Way to take the joyous, marvellous sharing and bonding experience of comic reading and turn it into a passive, lonely undertaking that isolates, rather than unites. Nice one, Misney.

Cory sums up Apple’s current status quite accurately: “Incumbents make bad revolutionaries.” This is what happens when you become too big, too successful, too desirous of selling to the LCD (that’s Lowest Common Denominator, not Liquid Crystal Display). I don’t want a gadget just because “even grandma can use it.”

After taking apart and upgrading/hacking a Dell Mini (not to mention several Macs before they became increasingly difficult to get into), stripping down and cleaning out two old Brownie Hawkeye cameras, building three pinhole cameras from scratch, developing paper negatives and 120 film (will do 35mm this weekend), designing websites, and so on I don’t think I need to regress to an iPad.  I’m sure it will offer a spectacular consumer experience. I’m sure I will even want one at moments (my couch potato consumer-driven moments). But I have a ton of digital gadgets already; this one isn’t going to revolutionize my life any more than my iMac, MBP, MacHackMini, and iPhone already do.

Now, back to writing my book (on my iMac). After my quota for the day I get to finishing building my latest pinhole, one that’ll shoot 5×7 paper negatives.

UPDATE: Un-friggin’-believable! No sooner had I posted this I got my predictable email urging from Apple. Big Brother is indeed watching:

Truth in advertising: it is not “revolutionary” or “magical,” unless you mean the kind of revolution that ends up with a dictatorship and the magic is that of sideshow illusionist adept at making your money disappear.

81 Days

Thursday, April 1st, 2010

Today, April 1 is the 65th anniversary of the American invasion of Okinawa on the beaches of Yomitan and Kadena. By most measures the battle that ensued — the bloodiest of the Pacific War — lasted 81 days, until the suicides of Generals Ushijima and Cho in a cave on Mabuni Hill. June 23 — Irei no Hi or Memorial Day in Okinawa — marks that end point. It is also going to mark the end point of my manuscript, Beachheads: War, Peace, and Tourism in Postwar Okinawa. I am just finishing up chapter 4; up to 45 pages with perhaps 5 or so to go. Then two more chapters and epilogue. It’s a tall order for 81 days, but once my friend and colleague Ling-hon Lam heard the number “81″ he lit up and mentioned that it’s one of the most auspicious numbers among Chinese, or anyone who practice the I Ching, because as 9 x 9 it represents super duper double yang (the active “male” component of yin-yang). That double jazzed me and will propel to the finish. I will be done in 81 days….